PETRO BEVZA “The long road of poetry”

£6,000.00

160×120 cm The impulse is the impression of light on the waves reflected on board the boats in Venice. I watched their dances for a long time. The movement of the waves changed the shape of reflections. But the movement of the sun also changed that. The rhythms of big and small actions worked together. Light drawing created a pulse of the sun. Actually this lines dance was the sun for me. Stanislaw Lem in novel «Solaris» showed the contact of man and his image. People interacted with images of themselves created by Ocean of the planet Solaris. I work with form that i see in environment (nature?). It is a mounting, a flower, an estuary or starry sky. While drawing sketches I move to the idea of communication of images. The connection of the energetic image of the object I see and the image that the Universe sees. Communication of rhythms of mater and space. Relation between scale of the lower and the higher spheres. Con tact between the visible and the probable.

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Latest personal exibitions: 2019 “To Light”;. National Museum of Taras Shevchenko (Kyiv, Ukraine), catalogue • “Inna’s Light” ; Gallery”;Tryptych”; (Kyiv, Ukraine) 2018 «Petro Bevza. Penetration,» Karas Gallery (Kyiv, Ukraine) 2017 • «Petro Bevza. Twirl,» Karas Gallery (Kyiv, Ukraine) •  «Petro Bevza. Jordan,» Andrey Sheptytsky National Museum (Lviv Ukraine), catalogue •  «Petro Bevza. Jordan,» National Museum of Ukrainian Folk Decorative Art (Kyiv, Ukraine), catalogue •  «Rebirth». N2N Gallery (Abu-Dhaby, UAE), catalogue •  «Petro Bevza. Anthology,» Art Cathedra Gallery (Lutsk, Ukraine), catalogue 2016 •  “Petro Bevza. Jordan,” Ukrainian Institute of America (New York, USA), catalogue •  “Petro Bevza. Jordan,” Contemporary Art Center “White World”. (Kyiv, Ukraine), catalogue  “Petro Bevza. Jordan,” Odesa Fine Art Museum. (Odesa, Ukraine), catalogue • «Theodosics». In project «Аll began with clay», Mystetskiy Arsenal, (Kyiv, Ukraine), catalogue • “Ambiguous abstractions,” Karas Gallery (Kyiv, Ukraine).    Peter Bevza states: «XX century wanted to transform essence into the sign. Our task – to return to a sign essence». Born in 1963. Graduated from Kyiv State Arts Academy in 1985. Member of the National Artists Union of Ukraine (from 1990). Lives and works in Kiev and Vyshneve. Selective Museums National Art Museum of Ukraine (Kyiv, Ukraine), Taras Shevchenko National Museum (Kyiv, Ukraine), Ukrainian Institute of America (New York, USA), PasquArt Museum of Contemporary Art (Bill-Bienne, Switzerland), National Museum of Ukrainian of Folk Decorative Art (Kyiv, Ukraine), Sheptytsky National Museum in Lviv (Lviv, Ukraine), Odessa Fine Art Museum (Odessa, Ukraine), Soviart Museum of Contemporary Art (Kyiv, Ukraine), Zaporizhia Fine Art Museum (Zaporizhia, Ukraine), Korsak’s Museum contemporary Ukrainian art (Lutsk, Ukraine). Merits First degree diploma in the category;Book of Arts; State Committee for Television and Radio Broadcasting in 2008, Kyiv, Ukraine, 2008 Honor prize Zolotyi Peretyn, title Artist of the Year at 2nd International ART festival. Kyiv, Ukraine, 1997 Honor prize of Salon International D`ART Contemporain. Nice, France, 1996 Honor diploma of the city of Kiev for the best piece of painting art of the year 1994. Kyiv, Ukraine, 1997

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