Lot87 NFT Oksana Chepelyk

£600.00

Oksana Chepelyk (date of birth 1961)

“Post-Human I”, Date of the work: 2016

Painting; Oil/canvas; 105 x 100 cm

The combination of physical values (prints) 60×40 cm and digital values (NFTs)

Hahnemühle Fine Art Print. Matte, watercolour texture. Natural white with a matte surface. A genuine mould-made paper. (310 g/m²)

Token ERC-721

Blockchain: SOLANA

You need token address  in Solana wallet,  download here: https://phantom.app/download

Payment is possible as FIAT money, Apple Pay and various payment systems, and cryptocurrency. For buyers of countries such as the USA, Great Britain, Switzerland, Germany and some others, a loan is provided in the form of an installment payment. The system determines the conditions during the checkout.

About artist:

Oksana Chepelyk 1978-1984 studied Art in Kiev, 1986-1988 in Moscow, 1995 at CIES in Paris, 1996 at Amsterdam University 2003-2004 at UCLA, USA. Residencies: 1996 CREDAC, Paris, 1998 BANFF Centre, Canada, 2001 ARTELEKU, San Sebastian, Spain, FACT, Liverpool, UK, 2000-2002 Bauhaus Dessau, Germany, 2015, DEAC, Budva, Montenegro, 2018 SAV, Tainan; Kuandu Museum, Taipei, Taiwan. 1992-2010 awarded with grants in France, Germany, Spain, USA, Canada, England, Sweden and Montenegro. Her works were shown: 1998 MOMA, New York, 1999 “ART FAIR” Stockholm, Sweden, 1999 Museum of Contemporary Art, Zagreb, Croatia, 2000 German Historical Museum, Berlin, 2001 Munich, Germany, 2000 ISEA, Paris, 2001 Museum of the Arts History, Vienna, Austria, 2002 “SEAFair”, Museum of Contemporary Art, Skopje, Macedonia, 2003, 2007, 20011 Museum of Jurassic Technologies, Los Angeles, USA, 2008 “DIGITAL MEDIA Valencia”, Spain, VII Digital Art Salón, MACZUL Museum of Contemporary Art del Zulia, Maracaibo, Venezuela, 2009, 2010 “ArtVilnius”, Vilnius, Lithuania, 2010 “Sarajevo Winter” Art Biennale, Sarajevo, Bosnia and Herzegovina, 2011 Broad Art Center, Los Angeles, USA, Art Arsenal Museum, Kiev, 4th Biennale of Contemporary Art, Moscow, Russia, 6th Tashkent Biennale of Contemporary Art, Uzbekistan (Award), 2012 1st Kyiv International Biennale of Contemporary Art ARSENALE, MMOMA, Russia, 2013 Sarajevo Museum, Bosnia and Herzegovina, MMOMA, Russia; 2014  International Festival “Sarajevo Winter 2014”, B&H; IX ART-KYIV Contemporary, Art Arsenal National Museum Complex, Kyiv, Ukraine; “Long Path to Freedom”, Ukrainian Institute of Modern Art, Chicago, USA; 2015 “Decompression: Coming Up for Air” Festival “L’Ukraine – Scene libre”, Paris, France; “Borderline. Ukrainian Art 1985-2004”, PinchukArtCentre, Kyiv; “The File” – Electronic Language International Festival, the Sesi-SP’s Art Gallery in Centro Cultural Fiesp – Ruth Cardoso, Sao Paolo, Brazil; DEAC, Montenegro; 2016 XVII LPM Amsterdam, Netherlands; 2017 XVIII LPM Amsterdam, Netherlands; City Code” ArtBatFest 8, Almaty, Kazakhstan; “Anonymous Society”, PinchukArtCentre; 2018 2018 “Flashback. Ukrainian art of the 90th”, Art Arsenal Museum, Kyiv; “Meta-Physical Time-Space”, Tainan, Taiwan, “Free D”, Kuandu Museum, Taipei, Taiwan; “A Space of On’s Own”, PinchukArtCentre, Kyiv; TiFF 2018, Soulangh Cultural Park, Tainan, Taiwan; 2019 “Insatiable Mind” Salisbury Arts Centre, UK; 2020 Art+Feminism, Spazju Kreattiv, Valletta, Malta; XI MADATAC International Festival of a Contemporary Audio-Visual & New Media Art, Madrid, Spain; 2021 1st Ukrainian Biennale of Digital and Media Art, Artarea, Kyiv. She has been working with experimental video films since 1994. Her films were shown and awarded within different film, video and new media festivals: in Kiev, New York, London, Tallinn, St. Petersburg, Osnabruck, Montecatini, Linz, Moscow, Paris, Berlin, Oberhausen, Liverpool, Belo Horizonte, Karlovy Vary and Venice /A category/, Chisinau, Weimar, Tel-Aviv, Ankara, Pesaro, Santa Fe, Stuttgart, Barcelona, Berdiansk, Sebastopol, Sarajevo and Clermont-Ferrand. From 1993 she organised 15 curatorial exhibitions (Ukraine, France, USA, Canada, Brazil, Kazakhstan and Germany), 30 solo exhibitions in Europe and America, and participated in a number of joint exhibitions (Germany, Lithuania, Ukraine, France, USA, Sweden, Croatia, Brazil, Austria, Macedonia, Bosnia and Herzegovina). 1999 A.I.D.O. FilmVideo Award, Italy. 2013 Cinemadamare Award at Venice IFF, Italy. Since 2003 Oksana is a leading researcher at Modern Art Research Institute of Ukraine and author of the several articles and book “The Interaction of Architectural Spaces, Contemporary Art and New Technologies”. 2003 Werklietz Award 2003 at EMAF, Osnabruck, Germany. In 2007 she has founded the International Festival of Social Sculpture in Kiev. 1997 and 2007 ArtsLink Award and Independent Projects Award, USA. 2003, 2010 Fulbright Awards, USA.  2011 – 6th Tashkent Biennale Award, Uzbekistan. 2013 – Artraker Award, UK. 2018 – Best Project of The Year, Taiwan. 2019 – Exter Award, IMéRA, Marseille, France (UI grant).

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Description

Oksana Chepelyk (date of birth 1961)

“Post-Human I”, Date of the work: 2016

Painting; Oil/canvas; 105 x 100 cm

The combination of physical values (prints) 60×40 cm and digital values (NFTs)

Hahnemühle Fine Art Print. Matte, watercolour texture. Natural white with a matte surface. A genuine mould-made paper. (310 g/m²)

Token ERC-721

Blockchain: SOLANA

You need token address  in Solana wallet,  download here: https://phantom.app/download

Payment is possible as FIAT money, Apple Pay and various payment systems, and cryptocurrency. For buyers of countries such as the USA, Great Britain, Switzerland, Germany and some others, a loan is provided in the form of an installment payment. The system determines the conditions during the checkout.

About artist:

Oksana Chepelyk 1978-1984 studied Art in Kiev, 1986-1988 in Moscow, 1995 at CIES in Paris, 1996 at Amsterdam University 2003-2004 at UCLA, USA. Residencies: 1996 CREDAC, Paris, 1998 BANFF Centre, Canada, 2001 ARTELEKU, San Sebastian, Spain, FACT, Liverpool, UK, 2000-2002 Bauhaus Dessau, Germany, 2015, DEAC, Budva, Montenegro, 2018 SAV, Tainan; Kuandu Museum, Taipei, Taiwan. 1992-2010 awarded with grants in France, Germany, Spain, USA, Canada, England, Sweden and Montenegro. Her works were shown: 1998 MOMA, New York, 1999 “ART FAIR” Stockholm, Sweden, 1999 Museum of Contemporary Art, Zagreb, Croatia, 2000 German Historical Museum, Berlin, 2001 Munich, Germany, 2000 ISEA, Paris, 2001 Museum of the Arts History, Vienna, Austria, 2002 “SEAFair”, Museum of Contemporary Art, Skopje, Macedonia, 2003, 2007, 20011 Museum of Jurassic Technologies, Los Angeles, USA, 2008 “DIGITAL MEDIA Valencia”, Spain, VII Digital Art Salón, MACZUL Museum of Contemporary Art del Zulia, Maracaibo, Venezuela, 2009, 2010 “ArtVilnius”, Vilnius, Lithuania, 2010 “Sarajevo Winter” Art Biennale, Sarajevo, Bosnia and Herzegovina, 2011 Broad Art Center, Los Angeles, USA, Art Arsenal Museum, Kiev, 4th Biennale of Contemporary Art, Moscow, Russia, 6th Tashkent Biennale of Contemporary Art, Uzbekistan (Award), 2012 1st Kyiv International Biennale of Contemporary Art ARSENALE, MMOMA, Russia, 2013 Sarajevo Museum, Bosnia and Herzegovina, MMOMA, Russia; 2014  International Festival “Sarajevo Winter 2014”, B&H; IX ART-KYIV Contemporary, Art Arsenal National Museum Complex, Kyiv, Ukraine; “Long Path to Freedom”, Ukrainian Institute of Modern Art, Chicago, USA; 2015 “Decompression: Coming Up for Air” Festival “L’Ukraine – Scene libre”, Paris, France; “Borderline. Ukrainian Art 1985-2004”, PinchukArtCentre, Kyiv; “The File” – Electronic Language International Festival, the Sesi-SP’s Art Gallery in Centro Cultural Fiesp – Ruth Cardoso, Sao Paolo, Brazil; DEAC, Montenegro; 2016 XVII LPM Amsterdam, Netherlands; 2017 XVIII LPM Amsterdam, Netherlands; City Code” ArtBatFest 8, Almaty, Kazakhstan; “Anonymous Society”, PinchukArtCentre; 2018 2018 “Flashback. Ukrainian art of the 90th”, Art Arsenal Museum, Kyiv; “Meta-Physical Time-Space”, Tainan, Taiwan, “Free D”, Kuandu Museum, Taipei, Taiwan; “A Space of On’s Own”, PinchukArtCentre, Kyiv; TiFF 2018, Soulangh Cultural Park, Tainan, Taiwan; 2019 “Insatiable Mind” Salisbury Arts Centre, UK; 2020 Art+Feminism, Spazju Kreattiv, Valletta, Malta; XI MADATAC International Festival of a Contemporary Audio-Visual & New Media Art, Madrid, Spain; 2021 1st Ukrainian Biennale of Digital and Media Art, Artarea, Kyiv. She has been working with experimental video films since 1994. Her films were shown and awarded within different film, video and new media festivals: in Kiev, New York, London, Tallinn, St. Petersburg, Osnabruck, Montecatini, Linz, Moscow, Paris, Berlin, Oberhausen, Liverpool, Belo Horizonte, Karlovy Vary and Venice /A category/, Chisinau, Weimar, Tel-Aviv, Ankara, Pesaro, Santa Fe, Stuttgart, Barcelona, Berdiansk, Sebastopol, Sarajevo and Clermont-Ferrand. From 1993 she organised 15 curatorial exhibitions (Ukraine, France, USA, Canada, Brazil, Kazakhstan and Germany), 30 solo exhibitions in Europe and America, and participated in a number of joint exhibitions (Germany, Lithuania, Ukraine, France, USA, Sweden, Croatia, Brazil, Austria, Macedonia, Bosnia and Herzegovina). 1999 A.I.D.O. FilmVideo Award, Italy. 2013 Cinemadamare Award at Venice IFF, Italy. Since 2003 Oksana is a leading researcher at Modern Art Research Institute of Ukraine and author of the several articles and book “The Interaction of Architectural Spaces, Contemporary Art and New Technologies”. 2003 Werklietz Award 2003 at EMAF, Osnabruck, Germany. In 2007 she has founded the International Festival of Social Sculpture in Kiev. 1997 and 2007 ArtsLink Award and Independent Projects Award, USA. 2003, 2010 Fulbright Awards, USA.  2011 – 6th Tashkent Biennale Award, Uzbekistan. 2013 – Artraker Award, UK. 2018 – Best Project of The Year, Taiwan. 2019 – Exter Award, IMéRA, Marseille, France (UI grant).

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