Lot30 NFT Alexander Glinkin

Description

Alexander Glinkin 08.29.1966

“The road” – 1996
Ink on paper 14.5 x 20.5
Work has original signature and wood frame.

Token ERC-721

Blockchain: SOLANA

You need token address  in Solana wallet,  download here: https://phantom.app/download

This is NFT collection created by TimaxArt. The price for this work is confirmed in the world sales database : www.artnet.com and www.artprice.com
NFT Token and Real Work are interchangeable. The company conducts marketing and other promotions to increase the price of both the work itself and the token provided by this work. The real work is in storage at a licensed warehouse in London.  The underlying asset is always the collateral for a given NFT token.
Payment is possible as FIAT money and various payment systems, and cryptocurrency. For buyers of countries such as the USA, Great Britain, Switzerland, Germany and some others, a loan is provided in the form of an installment payment. The system determines the conditions during the checkout

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Description:

“Any true dedication to a calling is a long term affair that resists prioritization, contingencies and even basic human needs. A state of being that is open to experience,  analysis and resulting in translation of these states  into a visual language is a medium of visualization. The collection of works is a testimony to this dedication.

The state of focus and the resulting flow in creating this visual language of the complex layering is present in all the works of the artist. There is no distraction presented, there is no deviation from the chosen artistic approach in these works.

The flow of events, states of mind, reactions to immediate presence are woven into the canvases by numerous touches of ink created between 1995-2005.

This artistic approach eliminates the need of study drawings, carefully calculated proportions, preliminary sketches, or any kind of planned approach and intermediation.

This series of works, selected by the artist should be experienced visually and consciously.  The result is left open to personal multilayered interpretations. Nevertheless, time, place, accents, distinct objects and subject matter are overpowered by fluid rules of flow.

Meanwhile the biggest challenge the body of work poses to the viewer is an attempt to understand what holds these multilayered complex works together, what makes the viewer perceive the whole prior to deciphering characters and objects.

Reflect, experience and interpret this multitude of touches of ink.”